ivy on wall.

Learning how to use my video camera, let alone the editing software, has been a struggle (to say the least). But I figure it’s high time I post something. So here’s a scene of some Hedera helix dancing in the wind on the back wall of my friend’s apartment building, shot at the end of May during a BBQ, talking to another friend about how, if there’s such a thing as reincarnation, being reincarnated as ivy wouldn’t be so bad. The special f/x come courtesy of Adobe Premiere Elements 7. The soundtrack is the bridge to ‘One More Last Kiss’ by the NYC-based trio, Ivy, from its third album, Long Distance (2001 Nettwerk Records). Love the band’s vox, Paris-born Dominique Durand, but the clip called for something instrumental. Enjoy.

Listening post 3

Couple of tracks. Enjoy.

1. ‘Both Ends Burning’ by Come on Gang:

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2. ‘Sexual for Elizabeth’ by Tortoise, which recently released its first new album since 2006:

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Eastern Market promises fulfilled

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Sometimes life doesn’t disappoint. Sometimes it amazes. Saturday morning, we biked across town to witness the grand reopening of Eastern Market. In spring 2007, the vast interior of the 136-year-old public market, the last of its kind in Washington, was suddenly gutted, literally overnight. At the time, I’d this to say to a few close friends about the loss:

As you may have heard by now, much of Washington’s historic Eastern Market was destroyed by fire in the early hours of yesterday morning. No one was injured. . . . We suffer our fair share of news-making tragedies in this part of the country. We’re reminded all too often how all things burn at temperatures high enough. City officials have vowed to rebuild Eastern Market. I’m sure they will. Regardless, I am making this small tribute to a place I will always hold dear to my heart. Please think of a place you love; then imagine it suddenly gone. Please go visit that place again as soon as possible.

And now it’s back, better than ever! Slide show after the jump; click here for the pics. Continued reading >

Weekend notes

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Shenandoah River

Let’s see. Friday evening, drinks and dinner at Urbana to celebrate my 34th birthday. A good time, though my rib-eye, ordered medium-rare, was served medium-(oh)-well. Still pretty tasty, given the crab and Bearnaise sauce.

Saturday, saw an incredible documentary, “Mine,” at SilverDocs, about a handful of post-Katrina NOLA residents’ never-give-up struggles to regain their beloved dogs, scattered to the four winds by the storm and subsequent rescue effort. If you watch director Geralyn Rae Pezanoski’s film without breaking down once or twice, you have love for neither man nor animal. Reminded me of how satisfying cathartic making a documentary could be if I could only figure out my video-editing software.

Sunday, we kayaked down the Shendandoah River, the main tributary of the Potomac, from the state park to Front Royal, Va. Paddled through rapids and placid water alike, past blue herons and a bale of turtles lounging near the shore. Good stuff.

Lessons from Tehran

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Rally in support of Mir Hussein Moussavi, 6/15/2009.

This is how citizens should react when their government steals an election.  If only we’d protested like this back on Dec. 13, 2000 — the day after the conservative wing of our Supreme Court appointed George W. Bush president.

Design as destiny

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The Ice Age Cometh

Love the illustration by designer Dan Page, above, accompanying Mike Murphy’s TIME magazine article re the coming extinction of the G.O.P. See some of Page’s other work here.

Reaping what they sow

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In HuffPo today, read the excellent criticism by Micheal Rowe of O’Reilly, Coulter et al. re the direct causal link between the hateful spew of their ilk and the right-wing domestic terrorism in D.C., yesterday, and the political assassination in Wichita last month. To wit:

As a group, they are the pop culture equivalent of necrotic carrion beetles, crawling with insectile determination from one infected open wound in the American psyche to another. The wounds include fear of race, fear of foreigners, fear of sexuality, fear of difference, hysterical religious fundamentalism, violent nationalism, and paranoia. They lay their eggs in the infected abrasion, then scuttle away. When the eggs hatch, disgorging rage and discontent, they start counting money.

Rowe also keenly highlights the parallel to mid-October, 2008:

[McCain] address[ed] the intended racial slur [of an elderly supporter] and disavow[ed] it, however badly. . . . Sarah “Screw the Political Correctness” Palin, on the other hand, seemed right at home. She marched into those same crowds grinning and winking, and “Yoo betcha-ing” like she was onstage at the Miss Alaska pageant. While her supporters waved watermelon slices and stuffed monkeys, Palin talked about who the “real Americans” were, and who was “palling around with terrorists.” She refused to address the blatant racism of her fans, or address the obvious exploitation of Obama’s middle name, Hussein, and the implication she herself was making with her “terrorist” comments.

Taken as a whole, it’s hard to imagine the dialogue on the right improving before it gets much, much more dangerous.

20 in 24

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Full moon over the Bronx.

Some random pics from a day spent in NYC last weekend. Slide show after the jump.

Continued reading >

The real-life ‘My Cousin Vinny’

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If only the indigent accused had it so good.

Everyone remembers the 1992 comedy hit ‘My Cousin Vinny,’ starring Joe Pesci as the eponymous Vincent LaGuardia Gambini, Ralph Macchio, Fred Gwynne (R.I.P.); Marisa Tomei was (inexplicably) awarded the Oscar for best supporting actress, even.

The plot of M.C.V. centers around an Alabama capital murder trial in which a woefully under-prepared Vinny, despite all the southern-fried justice, somehow manages an acquittal (due in part to Yankee hairdresser knowledge of mud and limited slip differentials).

But in real life, a capital murder charge in Alabama, if you’re poor — and you undoubtedly are — is a virtual death sentence in and of itself, as the state pays practically nothing for the constitutionally guaranteed representation of indigent defendants.

Case in point: NYT, today, profiles the trial of Holly Wood (seriously), a mentally-retarded man convicted of capital murder in 1994, whose newly-minted defense attorney failed to even mention Mr. Wood’s severe mental deficit during the sentencing phase, let alone explain it as a mitigating circumstance of his crime. The result: a 10-to-2 jury in favor of the death penalty.

And yet the Court of Appeals for the 11th Circuit, which includes Alabama, held that such gross incompetence, in a state where trial judges literally run for re-election based on their number of death sentences, is “a strategic decision, not a grave error.”

Sure, if your client’s goal is a swift execution.

Last month, the Supreme Court agreed to hear the case, Wood v. Allen, 08-09156, 556 U.S. ___. Stay tuned.

Debt = sin?

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Caravaggio's "The Calling of Saint Matthew" (c. 1599)

Fascinating passage in Nick Paumgarten’s recent feature article on the meltdown of Wall Street, “The Death of Kings,” published in The New Yorker magazine’s Annals of Finance (5-18-2009, p. 40). Citing Margaret Atwood’s book, Payback: Debt and the Shadow of Wealth (House of Anansi Press 2008), Paumgarten notes that

in Aramaic the words for “debt” and “sin” are the same. When we ask for forgiveness from our trespasses or call Christ the Redeemer, we are employing . . . “the language of debt and pawning or pledging.” [Moreover, the] “whole theology of Christianity rests on the notion of spiritual debts and what must be done to repay them, and how you might get out of paying by having someone else pay instead.”

Given this linguistic background, Paumgarten wryly points out, “America really is a Christian nation.” (Indeed.) But I wonder, who are the biblical tempters in the debtor-as-sinner paradigm as applied to the U.S. economy?

Yes, the mostly unregulated creditor-card companies are our modern-day demons, it’d seem, ever offering to dig us a deeper hole to call home.